Prime Editing Conditions for Restraint
This picture, taken on a phone by Restraint’s Writer/Director Adam Cushman, shows Editor Rosie Nakamura in her natural habitat. The two have been hard at work compiling over 900 different takes shot over the twenty-day shoot schedule into what will become the feature film!
The dim lighting and late hour that the picture was taken compliment the brooding, eerie tone of the movie perfectly. No doubt the dreary setting has influenced several editing choices in the movie so far.